Better a Witty Fool than a Foolish Wit

Inner Workings of My Twisted Mind.

Los Angeles Caucus

Ah, it’s election time again.  Time for the ceaseless advertisements in newspapers, on television, on huge billboards all over the city.  That’s right folks, it’s election time in L.A.
Oh wait, you thought I was talking politics.  No no, we don’t really like politics in L.A.  Sure we pretend to care.  We go out and buy hybrid Lexus SUVs when Al Gore tells us to.  We love what excellent stories are coming out of the cocked up Bush Administration (wait until he’s gone, there will be 8 trillion movies about what a fucking disaster that was).  But really, here in L.A., we could give a fuck about politics.  We don’t care about Iowa or New Hampshire because right now we’re having our own election coverage.  It’s awards season and it’s time to vote.  Now, it’s been a year since my last golden globe/oscar recaps and I still have yet to be allowed into the vote…patience dear friends, patience.  However, living in L.A. means I’m inundated with advertisements telling me how fucking fantastic every single film that is out right now is.  I’m pretty sure Juno, No Country For Old Men, There Will Be Blood, Atonement, Charlie Wilson’s War, and Sweeney Todd are all the best movies of the year, as stated by every movie reviewer that has ever lived.

I never quite got how reviewers call every movie the best movie of the year.  Do you just not have discerning taste because I can pick which one I liked the best and I’ve seen all of them?  Is it the campaign funds?  Are the studios paying the critics (they’re certainly not paying the writers) to call every movie the best movie of the year (even the ones that are unbearable)?  What is up with that?

In my opinion there was only one best movie of the year and it was Juno, but I also know how people in Hollywood feel about comedies (the same way people in Washington feel about Hilary): How nice that it’s there, now we’re going to give this award to something that’s a little different (read: No Country for Old Men and Barack).

Now, like our Presidential races, we in Hollywood are having some set backs and some uncharted territory.  You might be aware that there’s a writers strike going on.  In fact, you might be aware that your favorite television shows are done, if not they’ve only got one or two episodes left.  I know, I know, you’re devastated that you won’t see what’s happening on House for the rest of the year…that’s right, they’re not coming back until next season and even then, we might be behind.  But what you may not know is that this is going to affect the awards shows.  I’m completely heartbroken.  Basically, the WGA agreed not to picket the Golden Globes if NBC didn’t air it on National Television.  NBC said that it has the right to film the Golden Globes and if they go on, they will film it and put it on T.V.  As of right now, the Golden Globes are set to go on.  What the hell does this mean?  It means that there will be a bunch of nobodies at the Golden Globes (I’m expecting my invitation any day…this might be the only year I get to go).  All the actors, who are in sympathy with the writers, will not be attending.  Plus, they can’t write anything for the Globes because they can’t use WGA writers.  So basically it will go something like this.  The nominees for best picture drama are __________________.    And the Globe goes to ____________________.   How thrilling.  The oscars will be the same way.  I’m trying to make it through this hard time but it hurts me deeply.

So yes, it could be that there is no Christmas for Julia this year.  No speeches that make me cry.  No watching Diablo Cody say something awesome about being a stripper in Minnesota (cold, don’t try it is what I gather) and winning an Academy Award (pretty sure she’ll be the first in history).  But perhaps the Academy of Motion Picture Arts and Sciences will make some sort of deal with the WGA and be able to show the Oscars.  If Letterman did it, then the Academy should be able to, right?  I’m grasping for straws.  Shit.

Okay, well, I guess I’ll get to it.  Julia’s 2007 Award predictions:

Best Original Screenplay:
Diablo Cody for Juno

Best Adapted Screenplay:
Joel and Ethan Coen for No Country for Old Men

Best Director:
Joel and Ethan Coen for No Country for Old Men, or
Tim Burton for Sweeny Todd
(neither of these folks has an Oscar or a Globe for this so I’m thinking it’s one or the others year)

Best Supporting Actor
Javier Bardem for No Country for Old Men, though I could see an upset as
Casey Affleck for The Assassination of Jesse James by the Coward Robert Ford (he was absolutely amazing in it).

Best Supporting Actress
There aren’t many stellar performances this year.  I could see it going to
Saoirse Ronan for Atonement but I could also see it going to a big hitter like
Cate Blanchett for I’m Not There or
Julia Roberts for Charlie Wilson’s War

Best Actor
It’s a toss up between
Daniel Day-Lewis for There Will Be Blood (he’s so good, it’s unreal), but it could be the year that the Academy finally pulls it’s head out of it’s ass and gives it to
Johnny Depp for Sweeney Todd…they do love giving awards to musicals (hello Catherine Zeta-Jones, Reese Witherspoon, Jennifer Hudson, etc)

Best Actress
This is actually one of the hardest to call.  In my opinion they should throw it at
Marion Cotillard for La Vie En Rose.  No words can describe how good she is.  However, I could see the Academy giving it to
Kiera Knightly for Atonement to try and solidify her as a true leading lady (too bad she can’t seem to shake the period pieces).  I could also see them throwing it to
Angelina Jolie for A Mighty Heart because America has forgotten that she already has a fucking award and she sure as hell doesn’t deserve one for this movie, but it’s a political thing…who says we don’t care about politics?  Oh wait, me 😛  I could also see
Ellen Page for Juno upsetting this race.  I personally would be happy but Marion deserves it by far.  It’s just I don’t know if the Academy is going to give it to a French lady in a foreign movie (that’s only happened like two times, Roberto Benigni and someone else).

And last but not least,
Best Picture
This is hard to call.  Personally I think it will be
No Country for Old Men, but I could see
There Will Be Blood taking it.
I could see Juno upsetting, but I doubt it.  Also, I could see
Sweeney Todd upsetting, but I doubt it.
This race is down to No Country and There Will be Blood.
Personally I think No Country was the better of the two, but I could see either one taking it.

Alright kids, well, until next time, Barack the Vote.

Peace, Love, and Happy Campaigning,
Julia

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January 7, 2008 - Posted by | Awards Shows, Coen Brothers, Hollywood, Los Angeles, Movie Reviews, Movies, Musicals, Oscars, Politics

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